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Fashion is often seen as glamorous and elusive, but what really happens behind the scenes? The second episode of Future of Fashion takes us on a journey with British Vogue’s Alexa Chung to uncover the industry’s many layers. From meeting students at the legendary Central Saint Martins to exploring the rise of young designer Molly Goddard, the episode offers a rare look at the realities of pursuing a career in fashion.
Understanding the Fashion Industry’s Hidden Depths
Fashion is more than catwalks and glossy magazines. Behind every runway show lies a complex web of roles – from production teams to marketing experts, each contributing to the final presentation. This series focuses on shining a light on these lesser-known jobs while exploring what’s next for the industry.
There’s no shortage of curiosity around fashion careers. For many people, questions like “How do you become a buyer?” or “Can fashion designers really make a living?” remain shrouded in mystery. While resources like the internet provide an overwhelming amount of data, clear guidance is still surprisingly scarce.
The Complex World of Fashion Careers
If you thought fashion was just about being a designer, think again. Many students begin their journey expecting glamour but are quickly confronted with the industry’s less obvious roles. For instance, there are people whose jobs solely involve ensuring buttons arrive on time from factories in Italy. These unsung heroes keep the fashion world moving – literally.
Fashion is a team effort, requiring collaboration between experts in multiple areas. From sourcing fabrics to marketing collections, most of the industry operates far from the spotlight. Despite its reputation for cutthroat competition, many insiders reveal the industry is more supportive than movies like The Devil Wears Prada suggest.
The Most Googled Fashion Career Questions
Google provides insight into the public’s burning questions about fashion careers. Among the top searches are:
- How do you become a fashion designer?
- How do fashion vloggers earn money?
- Are fashion designers considered artists?
- How do you get a job at Vogue?
While these queries seem straightforward, the answers aren’t always simple. Alexa herself reminisces about asking a careers adviser how to become a fashion journalist at 14, only to be met with confusion. Decades later, many young people still find navigating the industry intimidating.
A Look Back: Central Saint Martins’ Historical Influence
Central Saint Martins (CSM) has long been a cornerstone of fashion education. Founded in 1939 by Muriel Pemberton, the programme aimed to teach students to sketch, attend Paris fashion shows, and create original designs. Back then, fashion education wasn’t taken seriously. Students had to hide sewing machines under desks due to restrictions imposed by the London County Council.
Over the decades, institutions like CSM have shaped the industry. The school has produced some of the world’s most renowned designers, including Stella McCartney, Alexander McQueen, and John Galliano. However, even today, graduating from such a prestigious school comes with its own set of pressures.
The Challenges of Fashion Education
Studying fashion is both exciting and expensive. Many students complete their degrees facing massive costs. For instance, producing a final-year collection can cost anywhere between £4,000 and £8,000. This financial burden makes it difficult for those without economic privilege to enter the field.
Additionally, government cuts to arts funding have only made these courses less accessible, a problem graduates highlighted during their discussions with Alexa. Despite these hurdles, students remain driven by creativity and determination.
Breaking Stereotypes About the Industry
Fashion is often misunderstood. Designers, in particular, are frequently seen as frivolous or unserious professionals. Alexa recalls absurd moments, such as being refused driving insurance after listing “fashion designer” as her profession.
Pop culture hasn’t helped either. Films like The Devil Wears Prada have reinforced stereotypes of fashion as elitist or unnecessarily harsh. While moments of glamour exist, the truth is much more grounded. For most, it’s about hard work, long hours, and a deep focus on collaboration.
The Rise of Fashion Collectives
The changing industry landscape has also given rise to fashion collectives. Working as a team allows independent designers to share resources, pool skills, and split costs. For instance, one designer may excel at creating patterns, while another handles marketing or business strategy. These collaborations make it possible for labels to thrive despite tight budgets.
Molly Goddard’s Alternative Approach
Molly Goddard exemplifies the creativity and adaptability necessary for success in today’s industry. Her unique presentations break away from the traditional catwalk model, favouring more intimate and playful settings.
One standout example is her autumn/winter presentation at Somerset House. She created a live drawing experience where artists sketched models in real time. This concept allowed her to explore creativity in a less pressurised environment while engaging the audience on a deeper level.
In an earlier show, Molly hosted a party in her town hall, inviting friends to wear her designs. Buyers attended, and to her surprise, collections sold quickly. This off-the-cuff approach highlighted how authenticity and innovation can draw attention from major retailers like Dover Street Market.
Why Catwalks Still Matter
Despite the rise of smaller presentations, traditional catwalk shows retain their significance. They’re important for maintaining a brand’s image and status, particularly for large fashion houses. However, smaller labels often lack the resources for four runway shows each year, leading many to find alternative ways to showcase their work.
Emerging designers like Molly Goddard prove that audiences are increasingly drawn to less formal, high-pressure formats. These shifts could mark a change in how fashion is presented in the future.
The Financial Divide in Fashion
Fashion remains challenging for those from lower-income backgrounds. The pressure to self-fund collections and materials is immense, often pushing young designers to their limits. Without funding, talented individuals may find themselves excluded entirely.
There’s a growing need to make fashion education and careers more accessible. Addressing economic barriers would allow the industry to embrace a broader pool of creative talent.
The Importance of Mentorship and Collaboration
Success in fashion isn’t just about talent – it’s about teamwork. Designers like Christopher Kane rely on trusted collaborators, such as his sister Tammy, who handles branding and business strategy. Behind every great label is a collective of skilled individuals blending artistry with practicality.
For smaller brands, collaboration is essential. Shared knowledge and resources allow designers to navigate the competitive industry landscape with more confidence.
Rethinking Presentations and Sustainability
The industry is also moving towards more sustainable practices. Smaller-scale presentations not only cut costs but also reduce waste. By focusing on creativity over spectacle, designers can stand out while remaining environmentally conscious.
Molly Goddard’s exploration of unconventional showcases – such as themed presentations involving vegetables – reflects how the fashion world is starting to embrace quirky, personal touches over opulence.
The fashion industry is a challenging yet rewarding space for those willing to push boundaries and embrace collaboration. From Central Saint Martins’ rich history to Molly Goddard’s innovative approaches, the future of fashion lies in breaking stereotypes and fostering inclusivity.
For aspiring designers, the path ahead may be expensive and uncertain, but by building strong teams, leveraging shared resources, and thinking outside the box, a career in fashion is more achievable than ever. The industry isn’t just about creating beautiful garments – it’s about resilience, adaptability, and an ever-evolving sense of creativity.
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